Representations
The core concern of the
artists today might be how to wriggle out of the misrepresentation mafia! Long
back when a Malayalam movie was titled as ‘Ponnurukunna Thattan’, the Thattan
tribe’s representatives went to court pleading how the title will hurt the sentiments
of the community since the title, they argued, represented them in poor light.
To the best of my memory the movie was re-titled as ‘Ponnurukunna Poocha’.
Lucky for the movie makers that the cats didn’t approach any court. No cat with
enough self respect will oblige to accept the proverbial Malalyalam query:
‘what’s the cat doing at the goldsmith’s’? Because why can’t a cat be
inquisitive enough to know what the goldsmith is up to? After all, a cat is
cat, right? I mean, how does one truly represent the ‘cattiness’ of a cat? Is
plain observation beside a goldsmith beyond the ken of a ‘typical cat’?
Misrepresentation
grievances are on the rise. This has become so habitual these days that one has
begun to expect a plea at the court the moment a big banner movie or a big
sounding book is released. What is the truth of this state of affairs? How real
are the cases of misrepresentations? It is a given of common sense that a question
of misrepresentation can emerge only from a representation. If that is the
case, then what are real, true representations? How do we truly represent a
dog, for that matter? With an upturned tail? With a prominent bark? Or a more
(or less) prominent bite? On its haunches, listening to music? Just loyal? With
an extra-sensitive sense of smell? It is one of the universals that
representations often follow the generalizations. Exceptions are left behind. An
exceptionally auditory dog is no dog worth its wagging tail because a dog, more
than anything, smells well. Can we take the man who represented the dog with
extra power of audition as an act of misrepresentation?
The question is how
correct one can be as far as ‘true’ representations are concerned? How does one
test the ‘truth’ of it? Where does one draw the line demarcating the limits of ‘truth’
in representations? One common source of ‘truthful representation’ is the life
around us. The people we meet and interact with, the events we witness. We do
meet a Hindu thief or a Muslim mad man or a Christian money lender. If every
community contains every type, why can’t one represent these categories?
Certainly the issue is not one of one-off representations. The custodians of
representations will vouch that they take cudgels on behalf of causes when they
realize that a certain kind of label begins to stick to a group when the
members of a group are slotted time and again into one customary type.
It is worth inquiring how
true these thoughts are. If I am a teacher and if I repeatedly come across
teachers being made the butt of ridicule in media discourse, does it take the
truth out of the fact that there are a good number of teachers who are worth
the treatment? Will it make me feel low? Will I draw the conclusion that me too
is being made fun off? How about the fact that labeling certain categories
into certain fixed representations is to some extent a result of certain
tendencies repeatedly evidenced ? One can certainly vouch for the fact that no
group should be type cast. But will that steal the virtue out of the group? Even
when a group of people in a community are portrayed as evil, will it make the
world to brand the community as symbolizing that evil? Don’t we interact with a
world in which such categorizations are happily demolished?
Politicians are often type
cast as unreliable. For sure there are a good number of them who invited this
label upon them with genuine show of unreliability. They are often (more often
than not) painted as corrupt. But the taintedness which the tribe has to come
to bear around their shoulders is increasingly certified by the ceaseless
revelations of scams and kickbacks. But does it take anything away from the
likes of the minister for Defense A. K. Antony and his kind who are clean in
all sense? Will anyone call the current CAG Vinod Rai inefficient despite the
tag of bureaucratic inefficiency that is a stock feature of the way administrations
are often represented ? And aren’t there plenty of such members of these tribes
who, against the drift of such representations, hold on otherwise?
Intellectually speaking,
representation is a theme, a term which carries a broad spectrum of meanings on
its back. From ‘image’ and ‘appearance’, it grows to ‘expostulation’ and ‘substitution’.
If someone like Edward Said would argue that representations can never be
exactly realistic, (‘not a delivered presence, but a re-presence’ - Said states in the context of written
representations), Spivak mentions a kind of representation which is ‘stepping
in some one’s place’ which is to be differed from a kind of representation
which is ‘proxy’. A common call of revolt against a book or a structure or a
movie may not be built on a theory manual or an ideological principle. It is
often the rabble’s call to rouse a rampant reaction. And a rabble psychology is
easily satisfied in igniting hints into screams and possible pointers to acidic
conclusions.
People are represented in art
and literature as individuals. Despite the group tangent that may be
deliberately or unwittingly implied, a representation is as much about
individuals as it (could be) about groups. Then why are they taken as talking
or acting for a group? Why can’t we take a rogue poet when the breed called rogue
poets exist even though all poets are not rogue ? What is wrong with
representing a police man as biased since biased policemen exist? Will these
affect the majority?
It may be laughed off but
had the animals the power to respond legally, what would be their reactions to our
representations of the animals in different media? A talking animal would be an
act of crass misrepresentation like non-acting politician, right?
What is a true cat? What
is the viswaroopam of a cat?
The media don’t just offer us a window on the world. They don’t just present reality, they
ReplyDeleterepresent it. Media producers inevitably make choices: they select and combine, they make
events into stories, they create characters, they invite us to see the world in a particular way.
Media offer us versions of reality. But audiences also compare media with their own experiences,
and make judgments about how far they can be trusted. Media representations can be real in
some ways and not in others: we may know that something is fantasy, yet it can still tell us
about reality.